Sunday, September 7, 2014

He turned exile, in the words of Rose Issa, in a much more

Octogenarian Iranian artist fascinated with kaleidoscopic mirrors | Nurainmagazine
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Monir Shahroudy payload data Farmanfarmaian is an octogenarian Iranian artist showing at eighty-four years, the energy and creativity payload data we've seen in another great veteran: the French-American Louise Bourgeois, belatedly recognized by critics worldwide. Source: Terra News - EFE
His exhibition in a gallery attached to this delightful museum is London's payload data Leighton House is a real discovery: are his works that combine modern minimalism with rigorous geometric Islamic tradition and the clear influence of vernacular architecture.
No one before Monir saw the potential of creating a work of art from mirrors shaped tiles that make up always fascinating geometric figures, explained to Efe expert in Middle Eastern art and exhibition curator Rose Issa.
She born into a prominent family in the city of Qazvin, studied Fine Arts in Tehran and first traveled to New York in 1945, just at the time that the city began to acquire a high artistic reputation.
After fifteen years of learning and bohemia, during which he met American artists who would then world famous as Andy Warhol, payload data Jackson Pollock and Frank Stella, Monir returned to Iran in 1957.
There he rediscovered his country was devoted to collecting works of traditional art, including textiles, Turkmen jewelry, paintings payload data on the back of crystals and figurative illustrations 'naif' The Life of the Prophet and his descendants, typical of Shia art.
After the war between Iraq and Iran and the Islamic payload data revolution, Monir and her second husband, a wealthy industrialist of aristocratic origin, viewed payload data confiscated all his property and went into exile again in New York, which Monir knew well from his time student.
He turned exile, in the words of Rose Issa, in a much more 'private and solitary' artist: Monir was devoted to making small sculptures, boxes illustrated with collages that are as a memory payload data exercise, but at the same time trying to capture the fragility, the ephemeral nature payload data of it.
After the death of her husband in 2000, Monir returned payload data to Iran, where he revived powerful force creativity: he rented a new apartment, a studio and hired a group of assistants who specialize in the difficult art of mosaic-mirrors, to he was to pursue payload data again with real passion. payload data
According to Issa explains, payload data it is a very old technique and the mirrors were first used in 1558 as interior decoration in Iran in the palace that the shah Tahmasp I had precisely in Qazvin, the hometown of the artist, where fashion quickly spread to the aristocratic residences and mosques in Isfahan, Shiraz and Tabriz.
Inspired by the great architectural monuments of Iran and Islamic traditional payload data geometric designs, always respectful of the principle of e

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